Genre: improvisations
Year: 1995
Pianist Keith Jarrett at his finest when he recorded solo improvisation ‘La Scala’ in 1995. Melodies and rhythmic elements are played by his hands with ease, while he moves from one part to another.
La Scala is an album that requires multiple listens. It takes the listener to dimensions where Jarrett showcases his more mature solo piano playing. The music goes to places of deep intensity, powerful and overwhelming.
The opening movement (Part I) is typical for Jarrett’s introvert way of playing. The piece starts with quiet romantic and heartwarming solo piano music. Later on, the improvisation begins to sound more profound, characterized by a level of deep significance.
Jarrett’s darker moments and less accessible music continue the piece. Keith seems to struggle with his inner self, almost fighting with the piano, which -at times- is not too ‘listener-friendly’. Some people dislike the extended monotony of this part. However, it could (and should) be regarded as a unique experience at the same time. Mr. Jarrett enters a world of musical elements that are very powerful. Other albums -like ‘Vienna’ and ‘Paris’- share this kind of more troubled sounding color.
The true beauty arises when keith jarrett, after the rage, concludes the first piece by playing truly heart moving music. The whole ‘trip’ sincerely delivers the insight into Jarrett’s soul.
The second improvisation (Part II) is just different: dissonant and chaotic. More delicate melodies are connected with chaotic, fast and atonal dark patterns. It’s an intense piece that requires an open mind. Jarrett’s music moves in unpredictable ways that ultimately make absolute sense.
The final solo piano work ‘Over the rainbow’ is a soft, gentle landing that ends the journey.
Highly recommended.
